Andrea De Carlo is an author that I have been following a lot: consigliatomi by chance from a friend, then entered the arrogance of my reading in Hit. Why start a review like this? I think it is the desire to just spit out a bitter taste in the mouth that lately I leave the books De Carlo. If at first his lyrics leave me a sense of magic in the mouth because life is something magical in itself - but when De Carlo tells his characters and their countries becomes even more - now I just got tired of reading stories with different names and work with different colors and scents (but then maybe not so different) are repeated endlessly along the exact same thread.
Yet it is true that a painter is known by the style of the stroke, a cook with the flavor of spices, a designer from the color of the fabric ... but something new in their jobs there is always a landscape, a seasonal product, or a soft rather than tight.
dream for some time to read a book by De Carlo, again, overwhelming, amazing ... completely different from all others in all respects.
So, not having read the texts of De Carlo, I told myself that maybe it could be a new innovation: Durante, Andrea De Carlo Edizioni Bompiani.
Peter, the narrator (who has the same voice and the same profile as any other person narrator of De Carlo) lives in the hills of the Marche (more or less the same places more or less already seen) with his Austrian girl alone obligations or work without boundaries ... Or so they think they live (hoibò. .. I am convinced that you have already read something like that ...) until it reaches between them during the perfect man, quiet, irreverent but reverently, who mounts his horse and fly away like the wind, ignorant of each rule, nice to frighten even the dog to Peter and that is literally down to his feet every woman he meets, but also many men, including our Peter .
to discover that when it is not so perfect ... or at least, TO ME it is not at all (although the author, in an interview has defined the ideal, the author and the best hybrid many other things).
How to fall at the feet of a man so self-centered? How not to get angry in front of his way to escape? Leaving lives his lives, scattered here and there without love? And then, we wish to consider the many limitations that against women? ... Other than falling at his feet, we must flee!
Andrea De Carlo will have to exalt or demonize his character?
In the first case for me when we are not successful, but if he wanted to demonize, well then he has succeeded well. During
Council who has never read De Carlo: you can make an accurate reading of his writing, without having to read everything. Once you have experienced
De Carlo, knows what is going to read. POINT.
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